Please Do Your Debauchery After You Die - Chapter 38

Episode 38: Content That Is Easy to Make

– Ugaidol First Round Group A Audition Passers Overview

Group A Passers: 20 / 41 People

All Pass Individuals: Ka-ang, Ina-bbang, Im Pu-pu, Rio, Miho, Choi Man-sun, Kyu-lings, Seo-Ah, Berry, Moyo, Elsa

[Link to Passer Stage ◁Click]

N: Summary Chu!

N: Wow… I’m the winner for watching it all until 1 AM.

N: There are more all pass individuals than I thought, lol. But even if they all passed, some definitely stand out more than others.

N: For real, the A Group top is Seo-A’s song, it feels more stable.

N: Personally, I liked Kyu-lings’ stage the most.

N: From today on, Seo-A is my number one pick.

N: If you just put together Seo-A, Berry, and Kyu-lings, a group can be formed easily.

N: Let’s add Miho too; originally you only need two for the singing members, the others need to have good vocal color and broadcasting presence.

After finishing the stage last night, I briefly tidied up and had a short discussion with the writer about the ongoing work.

And then I went to sleep immediately.

Although there were still quite a few names left on the list behind me, it didn’t matter.

After all, I already had a general idea of the passers.

More importantly, managing my condition by getting enough sleep throughout the audition was the priority.

I wasn’t doing this for no reason.

In fact, there were quite a few individuals who neglected their health by overdoing it, worsening conditions like their throat or even catching a cold during the Ugaidol auditions before my return.

I must never follow in their footsteps.

“Today is Group B’s turn.”

It’s the day when the true protagonists of the Ugaidol First Round stage appear.

Yesterday, my stage generated quite a buzz and I was personally satisfied, but I couldn’t dare compete with the opponent’s stronghold.

As someone who just started broadcasting, there was an epic ‘story’ that I could never surpass.

“Let’s neatly give up since that’s a disaster-level occurrence and think about the next step.”

Although there hasn’t been an announcement yet, the process from the end of the first round stage to the second round is going to be tough.

First, there’s a personal interview time for the passers with Sayoh, and then there’s team formation for the second round group missions afterward.

The second round mission date is set for Sunday the 23rd, so all of this is happening in just a little over a week.

“Was the group formation on the 20th? Thinking of that, the announcement needs to be made by the 23rd, meaning the actual time to prepare is only two days.”

Just like the first round, the second round preparation period is tight.

You might wonder why everything is so urgent, but in the world of internet broadcasting, where stimulation and immediate reactions are demanded, it can’t be helped.

The moment the content drags on, viewers can’t stand it and leave in search of other sources of dopamine.

For that reason, the schedule for the third and fourth rounds is also planned to be tightly packed on a weekly basis.

“The only way for me to stand out among the holders of bright talents is through effort and time. I must not forget this and do well.”

As someone aware of the future due to the return, I prepared for the Ugaidol auditions for two months.

While the time is tight for other participants, I’ve been granted some leeway.

So I have to do better.

What others must solve within a week, I have managed to grip onto for about three weeks.

“And I have to do well in today’s broadcast too.”

October 16, Sunday.

The day of Group B’s stage at Ugaidol.

If yesterday I showcased my charm on stage, today it’s time to show it through broadcasting.

“Though I feel a bit sorry for Sayoh.”

After all, isn’t it a relationship of mutual support?

I boldly choose to broadcast at 2 PM.

And the broadcast title is ‘Seo Seung-cheol’s Cold Eye.’

I entice the b*tt-picking viewers wandering aimlessly until 4 PM.

***

One fact that I realized after watching internet broadcasts for three years is that the term “Gamda-dwi” didn’t come about for no reason.

Especially when it comes to content selection.

The long history of internet broadcasting.

If you look into it, there are countless pieces of content you can refer to.

Furthermore, analyzing those can give you a rough estimate of audience responses.

But whether it’s due to being not smart or just too lazy to invest the effort, it’s extremely frustrating to see streamers repeatedly engage in Gamda-dwi behavior.

For instance, virtual streamers randomly bringing in content like Go, Mahjong, or Chess out of the blue.

Are they thinking they’re Lee Sedol?

Or Kaiji from Gambling Apocalypse?

How can they think of broadcasting with such content?

Similar examples can be found in games as well.

The reckless act of dragging in unpopular games like Eternal Return or Valorant.

Sometimes they bring out questionable games from Steam and try to feed them to audiences.

Gamda-dwi behavior that leaves even d*e-hard fans astonished, just leaving them logged in while they do something else.

I can’t say anything if the streamer is just doing this as a hobby they enjoy.

Well, if they want to enjoy themselves, they’ll handle their own failures.

But if a professional broadcaster is doing that, fans are truly at their wit’s end.

Do what I’m saying sound like a joke?

If I were to see someone getting caught in the allure of strange Hakkohs and playing Mahjong, Four-Winds, and Crazy Arcade together in the early morrow for a week, I’d be going insane.

Huh! Even thinking about it now makes me want to be sick.

I believe that a professional broadcaster should at least never neglect market research on internet broadcasting.

They should be aware of the likes and dislikes of the ‘customers,’ namely, the viewers.

Additionally, they shouldn’t ignore games they dislike or have no interest in.

We’re not children, and we’re not minors.

The privilege of refusing tasks one doesn’t want to do belongs to kids.

If there are so many things they can’t do or are picky about, they should quit.

In that sense, I hold the ‘professional consciousness’ towards work in high regard.

Regardless of personal preferences, since it’s a job, you must give your best, raise the tension, and strive to provide entertainment to the viewers…

“Even if you look a little, you can find content that has become a topic of excitement.”

It’s exceedingly frustrating to think about Hakkohs who still haven’t realized that fact.

So today, I decided to show them personally.

[Ugaidol Audition A Group Replay: Seo Seung-cheol’s Cold Eye]

#Virtual #Stocks #Newbie #Talk #Audition

How to securely capture the audience and make a buzz.

It’s what I call ‘Riddal’ content that makes it easy to succeed in one day’s broadcast.

Riddal is a term referring to the combination of broadcast replay and self-indulgence, meaning that you feel proud and enjoy watching a well-done broadcast again.

Isn’t there a similar type of content that’s hugely popular on YouTube?

It’s the so-called ‘Korean Pride’ content that checks the reactions of foreigners.

You can think of it in that vein.

“Though it may seem easy and cheap due to the name, there’s nothing quite like it after a major content event.”

Riddal content is indeed the stronghold of tradition, akin to rice soup in the content world.

Everyone has a desire for acknowledgment, and Riddal content has the structure that best touches upon that desire.

From the start, I continually threw out remarks to fulfill that desire.

“Honestly, it’s impressive how Sayoh planned such content again. The pressure must have been enormous. I truly think Pangea TV virtual streamers should at least express their gratitude to Sayoh. Considering how much the virtual ecosystem has expanded through this audition…”

[SayohMan Yoon has sponsored 300 candies.]

– Honestly, the only one who appreciates my brother’s hard work is Seo-A.

[SayohBro Yoon has sponsored 100 candies.]

– I want to see Seo-A pass and join my brother in gaming.

– Seo-A came to say hi and sent candy when the last collaboration ended. She’s really polite and likable.

Viewer count: 6786.

Since most of the audience is Sayoh’s fandom, they are enjoying the Riddal content.

How long has it been since I’ve seen these numbers?

While I’m engaging with Sayoh’s fans, I can simultaneously enjoy sweet candy sponsorships, experiencing the greatness of Riddal broadcasts once again.

“However, there is one drawback. If you get too wrapped up in Riddal broadcasts, mindless individuals arise and unreasonably ask for Riddal during major content events.”

Hakkohs without viewers might be swayed if that sentiment becomes strong, but that doesn’t apply to me right now.

I can confidently say how diligently I’ve established my consistent viewer base.

I’ve definitely moved beyond that level of Hakkoh.

“Ah! Finally, it’s my stage. Huh, I’m so nervous.”

– Oh! Speaking of which, Seo-A hasn’t seen her stage yet, huh, lol.

– Honestly, it was the best stage in Group A, right?

– This is why I can’t quit Riddal, lol. Sayoh’s perspective is good too, but how can you contain your own reaction?

I enjoy the A Group audition with the viewers and show flavorful reactions.

I’m not just a four-year-viewing veteran for nothing.

I occasionally go overboard, making exaggerated reactions, and sometimes I play it straight while keeping the audience engaged.

Now and then, TMI long comment folks appear, leading to some unexpected moments, but I surpassed those situations with the professional mindset I emphasized earlier.

Okay, Seo-A, you got paid, right? So, let’s smile~

As I spent a while laughing, chatting, and enjoying, it was soon 4 PM.

I noticed the steadily decreasing viewer count.

Sayoh had started the broadcast for the B Group audition.

Quickly, I ended the replay and set off to continue feeding off Sayoh’s broadcast.

In such large content events, not just the main broadcast but many people tend to keep multiple streams open to watch different reactions.

“To survive, I have to be cunning like this.”

In the wilderness of internet broadcasting, talent alone won’t help you survive.

Today, I’m diligently putting my head to work to survive.